​Ana Catarina Pinho is a researcher, lecturer, and visual artist working at the intersection of photography, visual culture, documentary, and the archive. Her research explores how photography and archival practices shape cultural memory, with a focus on vernacular image cultures, historiographies of violence, and the visual regimes of propaganda and conflict. She is a Research Fellow at the Instituto de História da Arte (IHA), Nova University of Lisbon. Her current project Images of War: Photography and the Politics of Visuality in the Portuguese Colonial War (FCT 2024.07923.CEECIND), a three-year research programme funded by the Portuguese Foundation for Science and Technology. The project investigates military photographic practices in modern warfare, examining how photography contributed to the politics of visuality that shaped the iconography of the Portuguese Colonial War. As part of this research, she is currently a Visiting Scholar at the Photographic History Research Centre (PHRC), De Montfort University, where she is developing the comparative and transnational dimensions of the project, with particular attention to photographic practices within military structures in Portugal and the United Kingdom.In 2026, Pinho was awarded the Nadir Mohamed Postdoctoral Fellowship at the Image Centre, Toronto Metropolitan University, where she will develop the project Seeing and Making Colonial Conflict: Photojournalism, Decolonization, and Transnational Image Networks in the Black Star Collection. Building on her ongoing research into the visual cultures of war, the fellowship extends her inquiry to the transnational media infrastructures of the Cold War, examining how photographic representations of colonial conflict were shaped through editorial processes and how they contributed to broader visual narratives of African decolonization for global audiences.​As an editor, Pinho was the editorial coordinator of the ArchivoZine (2012-2016), a quarterly printed magazine dedicated to photography and documentary. In 2021, she founded and currently serves as Editor-In-Chief the scholarly journal Archivo Papers, and launched the Archivo Press, an independent publisher focused on photography and visual culture. She is also a member of the editorial board of Arte y Sociedad, published by the Universidade Rey Juan Carlos, Madrid, and an associate member of the Global Art Archive research project, at the University of Barcelona.​​Her work is grounded in visual culture and the study of the archive and its cultural, political, and aesthetic dimensions. She regularly programmes and curates academic, outreach, and artistic events, having collaborated with several international institutions, including the University of Barcelona (Spain), University of the Arts London (United Kingdom), Universidad Rey Juan Carlos (Spain), The Portuguese Center of Photography (Portugal), the Extremaduran and Iberoamerican Museum of Contemporary Art (Spain), and Encontros da Imagem Photography and Visual Culture Festival (Portugal), among others. She is also the founder and convenor of the annual academic conference Reframing the Archive. ​Pinho earned her Ph.D. from the European Centre for Documentary Research, University of South Wales, with an international doctoral fellowship from FCT. Her dissertation Transformations of the Real: Reframing archives of the Portuguese dictatorship in contemporary visual arts, examined archival imagery and artistic appropriations within contemporary art practice aimed at challenging the narratives and iconography of the Portuguese dictatorship. Through an intergenerational perspective, her project engaged with the difficult memories of the period and resulting silences, contributing to new forms of critical visual historiography  and memory representation.​Initially trained as a visual artist Pinho completed a BA in Art and Communication, and specialised in Fine Arts (Painting), exploring photographic strategies through pictorial techniques such as serigraphy and lithography. She later completed a course in Photography and a Master degree in Photography and Documentary Cinema. Her artistic practice integrates critical, curatorial, and editorial strategies within practice-led research methodologies. Her academic work informs her visual practice, particularly in exploring the discursive frameworks in photography and lens-based media and their relationship to the politics of visuality and memory, while her visual practice serves as an experimental ground for forms of visual knowledge production that, in turn, inform her scholarly inquiry.Examples of this approach include the exhibition The Empire of Fiction (2022), presented at the Extremaduran and Iberoamerican Museum of Contemporary Art (MEIAC) in Spain, curated as part of her doctoral research, and the book Reframing the Archive (2021), edited within the context of the research symposium cycle she programmed at the Portuguese Center of Photography (2018-2019).​ Her visual work has been exhibited and published internationally since 2010. Recent engagements include her participation in the XVIII Mediterranean Biennale (Albania) and a commissioned project for the  "Peace Videography" research project at Tempere University in Finland.Since 2012, Pinho has been the founder and creative director of ARCHIVO, an independent research platform dedicated to photography and visual culture. She coordinates the platform's annual programme and promotes the dissemination of both scholarly and artistic work through initiatives such as the Visiting Researcher Programme and the Archivo LAB. She also leads the Archivo Research Network, fostering an international community of researchers and scholars engaged with archival-oriented visual culture, and directs the Archivo Educational Program, which offers both research-based and public activities. ​Through her academic, curatorial, and artistic practice, Pinho develops interdisciplinary frameworks that bridge visual practice, archival research, and cultural history.